Waacking
Arm-driven street dance from 1970s LA disco clubs: fast arm work, battling, choreography, and lineage.
Waacking is a dance style born in the LGBTQ+ club culture of 1970s Los Angeles, defined by rapid arm movements rotating from the shoulder and dramatic poses. Performed to disco and funk music, it draws inspiration from the glamour of Hollywood golden-era actresses and drag performances. Beyond technical mastery, this guide values self-expression, musicality, and understanding the cultural roots of the art form.
Level Overview
| Level | Stage | Hashtags |
|---|---|---|
| Lv.1 | Newcomer | #WaackBack#DiscoRhythm#ArmBasics#Posing |
| Lv.2 | Foundation | #WaackForward#DoubleWaack#Isolation#FloorPose |
| Lv.3 | Intermediate | #Musicality#FreestyleEntry#PunkingHistory#RoutineExecution |
| Lv.4 | Battle Ready | #PersonalFlavor#BattlePrep#HHI-Criteria#ArmSpeed |
| Lv.5 | Competitor | #BattleCompetition#ShowcaseChoreography#MentorDancer |
| Lv.6 | Battle Judge | #InternationalWorkshop#BattleJudge#CurriculumDesign |
| Lv.7 | Originator | #StyleOriginator#CulturalPreservation#WaackingHeritage |
Levels
Level 1
#WaackBack#DiscoRhythm#ArmBasics#PosingAttempting the basic waack back and poses to a disco rhythm.
You are taking your first steps into waacking. You can recognize the four-on-the-floor disco beat and attempt the waack back (rotating the arm behind the shoulder with a sharp finish), but your arm trajectory is unstable and speed control is difficult. You imitate basic strike poses and begin to learn that waacking was born in the LGBTQ+ clubs of 1970s Los Angeles.
What Comes Next
If you've checked off most of this list, you're ready for the Foundation stage, learning the waack forward and double waack, and refining your upper body movement through isolation. Kolb(1984)'s Experiential Learning theory suggests that arm trajectory and rhythmic sense are internalized through repeated cycles of attempting waack backs and poses and reflecting on the experience.
Level 2
#WaackForward#DoubleWaack#Isolation#FloorPoseExpanding into the waack forward, double waack, and body isolation.
You are expanding your waacking movement vocabulary. You can perform the waack forward (extending and swinging the arm in front) and double waack (simultaneous two-arm swing), and combine chest and head isolations with arm movements. You follow basic routines by watching instructor demonstrations or videos, and attempt floor poses (dramatic poses performed on the ground). This is when you learn foundational waacking terminology.
What Comes Next
If you've checked off most of this list, you're ready for the Intermediate stage, interpreting music by section, attempting freestyle, and deepening your understanding of waacking's cultural context. Bandura(1977)'s Social Learning theory suggests observing and imitating skilled waackers' isolations and floor poses to accelerate correct upper body movement patterns.
Level 3
#Musicality#FreestyleEntry#PunkingHistory#RoutineExecutionInterpreting music structure for freestyle and independent routines.
You can adjust the intensity and speed of your arm movements based on the verse, chorus, and breakdown sections of the music. You attempt short freestyles in cyphers and perform choreographed routines independently from start to finish. You understand and can explain the historical context of waacking being originally called "punking," and the role of Tyrone Proctor and Soul Train in bringing it to the mainstream.
What Comes Next
If you've checked off most of this list, you're ready for the Battle Ready stage, infusing your personal flavor into arm movements, understanding HHI battle judging criteria, and elevating your expressiveness. Vygotsky(1978)'s Zone of Proximal Development suggests challenging slightly faster BPMs or more complex routines under an experienced waacker's guidance to develop freestyle ability.
Level 4
#PersonalFlavor#BattlePrep#HHI-Criteria#ArmSpeedDeveloping a personal flavor and studying HHI criteria for battle.
Beyond technical accuracy, you infuse your own interpretation and flavor into your arm movements. You have the musicality to react to individual instrument sounds (bassline, strings, vocals), and freestyle confidently in cyphers. You understand the official HHI whacking battle judging criteria (attire, arm-feet coordination, floor work, full body control) and analyze your own strengths and weaknesses against them.
What Comes Next
If you've checked off most of this list, you're ready for the Competitor stage, competing in battles, creating original choreography, and mentoring newer dancers. Bloom(1956)'s Taxonomy theory suggests moving beyond simple understanding of HHI criteria to analyzing your own freestyle and synthesizing personal flavor.
Level 5
#BattleCompetition#ShowcaseChoreography#MentorDancerCompeting in battles, creating choreography, and mentoring beginners.
You compete in official battle events and grow through feedback from judges. You create original waacking choreography from music selection through floor patterns and formations, and deliver captivating showcase performances. You can systematically teach foundational arm control and posing to beginner dancers.
What Comes Next
If you've checked off most of this list, you're ready for the Authority stage, leading international workshops, judging battles, and designing waacking education curricula. Ericsson(1993)'s Deliberate Practice theory suggests analyzing battle footage and training on weaknesses with focused repetition and expert feedback.
Level 6
#InternationalWorkshop#BattleJudge#CurriculumDesignLeading global workshops, judging battles, and designing curricula.
You run waacking workshops and masterclasses on the international stage and serve as a battle judge delivering structured evaluations based on HHI criteria. You design tiered waacking education curricula from beginner through advanced levels and integrate the cultural roots of waacking (LGBTQ+ history, disco era) into your educational content. You organize and run regional or international waacking events.
What Comes Next
If you've checked off most of this list, you're ready for the Originator stage, originating a distinctive waacking style and leaving a lasting cultural legacy that endures across generations. Csikszentmihalyi(1990)'s Flow theory suggests entering an optimal creative state where high skill meets challenging tasks to enable original curricula and international educational activities.
Level 7
#StyleOriginator#CulturalPreservation#WaackingHeritageOriginating a distinctive style or methodology with a lasting legacy.
You are at a level where your name is recorded in the history of waacking. You have originated a distinctive movement or methodology that other dancers learn and spread. You are invited as a legend or headliner to international festivals. You contribute to documenting and preserving waacking culture. You build systems that develop the next generation of waackers and educators, and advance the recognition of waacking as a performing art.
What Comes Next
If you've checked off most of this list, you're at the forefront of waacking, shaping how the language of arms born in 1970s LA clubs evolves into a global art form. Mezirow(1991)'s Transformative Learning theory suggests questioning the assumptions behind existing waacking paradigms and developing new frameworks that transform how the art form is preserved and practiced.
References
Defines the official HHI whacking battle judging criteria (attire, arm-feet coordination, floor work, full body control), used as the authoritative basis for battle and competition competency boundaries at Levels 4-6.
Incorporates waacking into the ISTD Street Dance syllabus as a formalized teaching framework, referenced for structuring foundational technique proficiency boundaries at Levels 1-3.
Systematically documents waacking fundamentals (Waack Back, Waack Forward, Double Waack) and historical context, used as direct evidence for Level 1-2 checklist movement criteria and cultural context grounding.
A scholarly history of 1970s American dance music culture documenting the disco club scene and LGBTQ+ community self-expression, providing academic grounding for waacking cultural context and musicality checklist items.